Download PDF The New Grove Dictionary of JazzFrom Oxford University Press
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The New Grove Dictionary of JazzFrom Oxford University Press
Download PDF The New Grove Dictionary of JazzFrom Oxford University Press
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The New Grove Dictionary of Jazz constitutes the most definitive volume on the music, history, performers, and venues of jazz. It contains the broadest coverage of the subject of jazz to appear in one work and seeks to give detailed attention to all periods and styles from many countries, making it the largest dictionary of jazz ever published.
Besides traditional jazz topics, there are extensive entries on blues, brass bands, soul music, ragtime, and rock music, as well as profiles on musicians such as Eubie Blake, Bessie Smith, Ray Charles, and Jeff Beck.
Among the numerous categories covered in the volume are:
� Performers from Louis Armstrong to Joe Zawinul, as well as performing groups from the early New Orleans Excelsior Brass Band to the contemporary World Saxophone Quartet
� Jazz terms and topics including pieces on arrangement, form, harmony, and improvisation, as well as articles on jazz in film and jazz singing
� Styles are described from Chicago Jazz, Dixieland, and Boogie Woogie through Cool Jazz, Free Jazz, and Third Stream. Also included are Blues, Ragtime, and Latin music
� Festivals, clubs, and record labels that have had a seminal place in jazz history, such as the Newport and Montreux festivals, and the clubs Birdland and The Five Spot. Clubs are listed internationally by city, including their histories and the musicians who performed there
� Instruments like the saxophone and double bass are covered in detail as well as exotic instruments and special playing techniques such as brass mute effects
- Sales Rank: #3094886 in Books
- Published on: 2003-03-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 2.30" w x 11.00" l,
- Binding: Hardcover
- 1358 pages
Review
"The New Grove Dictionary of Jazz is a most impressive achievement and it is certain to become a standard reference source."--Benny Carter
"A must for every serious jazz lover."--Dizzy Gillespie
"The variety of major and minor entries scattered among the biographies make The New Grove Dictionary of Jazz a fascinating field for browsing...filled with basic information, colorful personalities and exotic locales."--The New York Times
"This massive work deserves highest praise."--Library Journal
"This is the most monumental effort at a comprehensive jazz reference to date."--Boston Phoenix
About the Author
Musicologist Barry Kernfeld has been the editor of The New Grove Dictionary of Jazz since 1984. He has taught jazz history at both Cornell University and Hamilton College.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent book!
By Paul Pollan
This is a book every jazz aficionado should have in their collection. Even if it is look up a person or event during discussions about jazz. Concise and well written.
0 of 0 people found the following review helpful.
A Great one volume edition
By L. Levy
This quite out of date Dictionary is a wonderful one volume version - great for browsing and the price is right. If you want a more current version, you'll have to spend a lot more for the 3 volume 2nd edition. It has a world of more data and cost a lot more (and technically is due for replacement). For most of my interests, this meets my needs. It is AUTHORITIVE.
10 of 12 people found the following review helpful.
Needs an update
By Christo
This is a valuable jazz reference source, and a good companion book to the Penguin guide to jazz. It is particularly useful for looking up the biographies of artists that you're interested in. Less useful are the lists of jazz club venues - likely to be quite out of date by now.
What I liked especially about the dictionary, is its comprehensiveness. Artists from all continents are covered - although musicians from far-flung places (as in not-in-the-USA)are more likely to be missing. On the negative side, you'll find that the book is now out of date when it comes to contemporary musicians.
I have for example compiled a list of all artists born in African, Australia and New Zealand from the book. While a number of well-known musicians are missing, the youngest person on my list was born in 1947 - 55 years ago - not good for a book that was reviewed in 1994. One would suspect that the contemporary jazz renaissance of the 1990s is totally absent.
So in summary, this is a well-written, well edited, good reference source, but badly in need of an update. I would also enjoy more personal details about artists in the next edition.
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